Category Archives: Hagralazoo

The Case of the Lost Lute


The Case of the Ayonic Lute
I have begun to develop a fascination with a magical lute called the Ayonic Lute. While passing through the Thundering Steppes I happened upon a curious bard by the name of Maestra Orlita. She was a ruling member of a miniscule quintet of bards that call themselves the Chaos Orchestra. Having piqued my interest in eccentric quintets, I decided to seek out the four remaining bards of this orchestra. What I found were two lyricists in Qeynos Harbor and two within East Freeport. Offering little save ancient songs, the lyricists went on to ignore me and force their out of tune melody upon the citizens of the great empires of man. If I were to find out anything more about the Chaos Orchestra, it would be in city records.

These words have yet to reveal themselves to you.

These words have yet to reveal themselves to you.

These words have yet to reveal themselves to you.

I found the “belly of a giggling fish.” To be more precise, I found the theater of the Laughing Trout, a tavern in Rivervale. I found a peculiar xylophone made from bones, the hagralaphone. This curious musical device emanated with arcane power. I discovered that the hagralaphone was made by woodworkers from Bogbottom Mills. Tracking down the halfling shop was an easy enough task, but it was overrun with goblins. I did find the descendant and current owner of Bogbottom Mills, Camfred. He told me that his ancestors created the hagralaphone out of the bones of an evil troll witch named Hagralazoo. They did this by order of the legendary bard, Vhalen.

I journeyed to Antonica to find the Bell Tower of Vhalen. It is there that Vhalen fell to a great horde of undead. It is in the ancient tower that I spoke to the vision of Vhalen, a projection of the bard that now is bound to Ethernere. He said that Hagralazoo, the troll witch and arch nemesis of Rivervale, had taken the cursed Ayonic Axe from the Chaos Orchestra as they fled Katta Grove. She tricked them into destroying themselves in a final concert. She then used the axe and its bardic powers to begin a series of secret concerts in which she would collect the valuables from the deceased audience and the unwitting bard whom she tricked into wielding the melodic axe.

The vision of Vhalen said, Hagralazoo lost the axe to an unwitting accomplice, Kelkarn. She had hoped the bard could assist her in completing an arcane composition that she had stolen from the mysterious sage, the Drafling. The composition could remove the curse from the axe, allowing the witch to use it. However, the composition was incomplete. Kelkarn was a well known bard and the troll witch came to him on a misty road during his many travels. In the guise of an old crone, Hagralazoo persuaded the bard to display his talents. She then gave him the Drafling composition and asked him to complete it. If he did, the Ayonic Axe could be his- a lie!

These words have yet to reveal themselves to you.

Hagralazoo never made it back in time to recover the Ayonic Axe thanks to the Drafling. When she did, she found the axe was removed. It vanished via the black market auctions of Freeport. Vhalen was able to find the Ayonic Axe and hide it. As luck would have it, the Drafling was an asssociate of his! Vhalen requested the remains of Hagralazoo be used to create the Hagralaphone. The unique xylophone could summon the troll witch back so that she could reveal the composition that Kelkarn completed. Many years living in the land between life and death may persuade the troll witch to reveal the location to Vhalen or another bard such as myself.

A Chaotic History: The Story of the Chaos Orchestra


A Chaotic History: The Story of the chaos Orchestra – By Vhalen Nostrolo

The Crimson Conductor Within the Age of Enlightenment the seeds of chaotic compositions were sown. The first human clans began to settle within the Plains of Karana, far south from the bloody tundras of the Northlands, former homeland to all humans. It was at this time that the Chaos Orchestra came into existence. Early humans held a violent nature in their hearts, a gift from their barbarian cousins in the Northlands. One band of bards, former war drummers of the barbarians, had hoped to tap into the violent nature. Through this exploration of chaos they hoped to compose music like never heard before. The Chaos Orchestra was formed. Long did the Chaos Orchestra delve into chaotic compositions. Many songs were created that employed rhythms and beats that were never explored by other composers. Unfortunately, they were never able to create any meaningful composition that even they approved of. According to history, this all changed on a trip to the village of Katta Grove.

Ancient songs that tell the tale of the Chaos Orchestra being attacked by a rabid pack of gnolls while en route to Katta Gove, the village of the chieftain of the Plains of Karana. Surviving this violent onslaught, the bards did find a magic lute that was being carried by the gnolls. Reclaiming this grand bard instrument from the savage gnolls, the Chaos Orchestra dubbed it the Ayonic Lute. This magic lute would help them break their musical plateaus and play a final infamous concert that would place them in the annals of bard history.

The Ayonic Lute was of unknown origin, but to the Chaos Orchestra, it was a gift from Ayonae Ro. In their minds, it was goddess’ way of choosing them as the evolution of music and the harbingers of a bold age of compositions. Before they could explore the arcane forces behind the lute, they decided to use it in their next concert at Katta Grove.

Little is known about the secret concert in Katta Grove. The only person alive was the owner of the small stage they performed on. This owner returned towards the end of the concert only to find a blood bath had occured. He screamed for the milita and the Chaos Orchestra fled the village. Every spectator was found dead, seemingly slain by one another. It was dubbed the Rabid Dance after the only clue left in the massacre, a blood stained composition of the same name.

Maestro Konic Nostrolo of the League of Antonican Bards was charged with the task of tracking down the Chaos Orchestra and seizing them before their next violent concert could begin. Konic was able to find the trail of the fugitive Chaos Orchestra, a trail spotted with blood. It led to the Serpent’s Spine and the last person to meet the bards, a fortune teller named Hagralazoo. Through her fortunes, she told Konic that she read theirs and found no future beyond a day. They vanished never to be seen again.

Maestro Konic continued his investigation of the Chaos Orchestra long after they vanished. He would later come to realize that the orchestra was not in full blame for the Rabid Dance in Katta Grove. The powers behind this Ayonic Lute held much of the blame. On his death bed, Maestro Konic was noted saying, the Ayonic Lute holds great power, but along with that comes a great curse… a curse tht can be removed. Look to the belly of a giggling fish…

To this day, there are those that delve into chaotic compositions. To me, this isn’t a problem. The exploration of music is as grand as the exploration of Norrath. the chaos Orchestra was correct that beauty can be found within discord. It is unfortunate that their expedition into the compositions of chaos had to end with the cursed Ayonic Lute.